50 Books // The Passage // # 7

This book is a whale. Almost a thousand pages! With my Generation Y symptom, the 'low attention span', this took a while to read. There's also a lot of characters and I'm not good with names. The book's timeline spans decades and of course, the world is in peril.

All of this spells out one thing. The Passage by Justin Cronin is an epic. With a capital E. Epic. Actually no, in caps lock. EPIC. Add an exclamation.

EPIC!

It's also a vampire novel. I can hear you groaning. I can assure you this is no Twilight. The vampires here aren't covered in pretty sparkles. They're covered in human viscera. Actually, the 'virals' I pictured more as a zombie/vampire hybrid and they're more vicious and more horrifying than any vampire or zombie I've come across in a novel. These things are ruthless. 

It's quite hard to describe the plot because there's a lot going on here but all you need to know is that there's a central character. She's a little girl named Amy. The reason she's so special I won't give away here but in the first part of the book we read about where she came from and how the virus spread throughout the world. 

It then becomes a post-apocalyptic story and the story shifts and focuses on what's called the first colony. We don't exactly know what has happened with the rest of the world because the colonies have isolated themselves as a form of protection from the virals. The problem is they can't isolate themselves for much long. 

The first part of the book is outstanding. Cronin sets up the characters and the story really well here. Even though the premise is familiar (it reminded me of I Am Legend) and certainly not new (virus outbreak) it was still very electrifying and I was eager to know what was going to happen next.

All of a sudden the story is fast-forwarded by almost a century. The thrill of the previous part quickly wanes because of we're suddenly introduced to a different world and new characters. I hated that. I felt like I was just getting to know the previous characters and here I am suddenly being introduced to new people. It was like becoming popular at school then all of a sudden you're moved to another one.

The middle is the weakest for me. I can't even remember what happened for the most part because it was so uninteresting. I was ready to give up halfway through until I started to warm up to the newer characters. The story then starts to really get exciting. That was what I wanted from this novel all along: the thrill of a post-apocalyptic story with vampires. I was reading more literary books before this one and I was craving for lots of action and I was finally getting it. 

The Passage ends in a cliffhanger (or rather, CLIFFHANGER!) and I don't care if the next instalment is the size of War and Peace, I'm itching to read it. I'm just hoping we don't get introduced to a million new characters.

Links:

About the 50 Books Challenge

Goodreads account

List of the books I've read so far

Book 'poster' was created and edited by me. Book cover from here.

The nightmare we wish we had

Vampyr (1932)
Dir. Carl Theodore Dreyer
Starring: Julian West, Maurice Shutz and Rena Mandel

Vampyr is Carl Theodore Dreyer's first sound film but it might as well be called a silent film since, like most of Dreyer's work, dialogue is kept to a minimum. In fact, the music takes over and envelopes the entire picture and transports us into one of the most unsettling and surreal realisation of a nightmare ever put into celluloid.

Julian West (also the producer) plays Allan Grey who travels to an inn and discovers strange, supernatural occurrences. A young woman is found with marks on her neck. An older woman is seen with her, presumably the vampire, hovering above her victim before suddenly disappearing. Now, that's what I think happens but it's not entirely clear.

Dreyer utilises a disjointed and jarring narrative style jumping from one scene to the next, from one character to another, without any clear links between them. We don't really know what is real and what is not real. We see from the perspective of Grey but we can't judge what is real, imagined or dreamt. Trying to distinguish what is what is futile. This is a film that is concerned more with setting an atmosphere than setting up a story.

There are intertitles in the beginning of the film that act as a silent voice-over. I tried imagining what it would have been like if these words were spoken. I cringed. The sombre mood would have been broken. Even if a serious voice was used it would still sound silly and if a dark, brooding voice was chosen then it would have felt like a parody. 

Grey finds a book about vampires and discover  that the strange occurrences eerily match the descriptions found in the text. Dreyer films the pages of the books, filling the screen with its inscriptions, acting as on-screen, silent narrators and thus taking over the role of the intertitles shown earlier.

Dreyer once said that "the old book is not a text in the ordinary, stupid sense, but an actor just as much as all the others." Even though the spoken dialogue in the film doesn't hold much presence, the on-screen text certainly do.

Familiar horror conventions are plentiful here but because of the unorthodox way in which they are filmed they seem fresh rather than stale. A shadow of a gravedigger filmed digging a grave plays out in reverse and you can't help but feel like you've lulled into a kind of enchanted trance. 

Shadows leave the bodies they follow and spirits leave the bodies they bring life to and in a strange way, the film itself feels like it makes our consciousness leave our very own bodies, even for only an hour or so.

Images from The Movie DB